Please Hit

Folks, This is a Free Site and will ALWAYS stay that way. But the only way I offset my expenses is through the donations of my readers. PLEASE Consider Making a Donation to Keep This Site Going. SO HIT THE TIP JAR (it's on the left-hand column).

Tuesday, February 3, 2009

50 Years Ago -->The Day The Music Died


In one of music's most tragic accidents, a light plane carrying three people who changed the face of Rock forever crashed in an Iowa field shortly after leaving a concert on Feb. 3, 1959. Buddy Holly had chartered the plane to take his band to their next gig in North Dakota while other artists and staff took the usual means of tour bus.


Ritchie Valens had just released"La Bamba" a month before the accident claimed his life. He was 17 years old. He is the first Latino rock 'n' roll artist to be honored with a star on the Hollywood Walk of Fame and Jimmy Page once said, "Valens was my first guitar hero and I played that bridge to 'La Bamba' a thousand times." Led Zeppelin later ripped off Valens' song "Ooh! My Head", renaming it "Boogie With Stu" and took credit for it. They were sued and settled out of court. The Ramones did a cover of the Valens song "Come On Let's Go" and Los Lobos' note for note redo of La Bamba went to #1 on the charts. He has not, to date, been inducted into the Rock N' Roll Hall of Fame.


Jiles Perry Richardson, age 28, AKA The Big Bopper had his start as a hilarious and energetic radio DJ and was famous for "Chantilly Lace" - the third most played radio song of 1958. He wasn't even supposed to be on the plane. He was sick with the flu and worn out, so he asked Buddy Holly's bassist, Waylon Jennings, if he would allow him to have his seat on the plane so he could rest and have time to see a doctor once they landed. Talk about Fate....

Buddy Holly, age 22, is considered one of the founding fathers of Rock N Roll and was Rock's first major songwriter, making a historic impact after only 18 months in the business. Here's a lesson for those who hear "no" and get discouraged; Decca Records told Holly he wasn't quite good enough when they first signed him and to go back home to Texas and practice. He did and made "That'll Be The Day'. Buddy Holly and the Crickets brought such classics as "Peggy Sue", "Rock Around the Clock" to the world.



Don MacLean Bye bye Miss American pie 
A long, long time ago. I can still remember
How that
music used to make me smile.
An' I knew if I had my chance,
That I could make those people dance.
And maybe they'd be happy for a while.
But February made me shiver,
With every paper I'd deliver.
Bad news on the doorstep.
I couldn't take one more step.
I can't remember if I cried,
When I read about his widowed bride,
But something touched me deep inside,
The day the music died.

So, bye, bye, Miss American Pie.
Drove my Chevy to the levee, but the levee was dry.
An' them good ol' boys were drinkin' whiskey and rye.
Singin' "This'll be the day that I die.
This'll be the day that I die."

Did you write the book of love?
And do you have faith in God above,
If the Bible tells you so?
Now do you believe in rock and roll?
Can music save your mortal soul?
And can you teach me how to dance real slow?
Well, I know that you're in love with him.
'Cause I saw you dancin' in the gym.
You both kicked off your shoes.
Man, I dig those rhythm and blues.
I was a lonely, teenage broncin' buck,
With a pink carnation and a pickup truck.
But I knew I was out of luck,
The day the music died.

I started singing, "Bye, bye, Miss American Pie."
Drove my Chevy to the levee, but the levee was dry.
Them good ol' boys were drinking whiskey and rye."
Singing, "This'll be the day that I die.
This'll be the day that I die."

Now, for ten years we've been on our own.
And moss grows fat on a rolling stone.
But that's not how it used to be.
When the Jester sang for the King and Queen,
In a coat he borrowed from James Dean,
In a voice that came from you and me.
Oh, and while the King was looking down,
The Jester stol' his thorny crown.
The courtroom was adjourned,
No verdict was returned.
And while Lenin read a book on Marx,
The quartet practiced in the park.
And we sang dirges in the dark.
The day the music died.

We were singin', "Bye, bye, Miss American Pie."
Drove my Chevy to the levee, but the levee was dry.
Them good ol' boys were drinking whiskey and rye.
Singing, "This'll be the day that I die.
This'll be the day that I die."

Helter skelter in a summer swelter,
The birds flew off with a fallout shelter.
Eight miles high and fallin' fast.
It landed foul on the grass,
The players tried for a forward pass,
With the Jester on the sidelines in a cast.
Now the half-time air was sweet perfume,
While Sergeants played a marching tune,
We all got up to dance,
Oh, but we never got the chance.
'Cause the players tried to take the field,
The marching band refused to yield.
Do you recall what was revealed,
The day the music died?

We started singin' "Bye, bye, Miss American Pie."
Drove my Chevy to the levee, but the levee was dry.
Them good ol' boys were drinking whiskey and rye.
Singing, "This'll be the day that I die.
This'll be the day that I die."

Oh, and there we were all in one place.
A generation lost in space,
With no time left to start again.
So come on Jack be nimble, Jack be quick.
Jack Flash sat on a candlestick.
'Cause fire is the devil's only friend.
Oh, and as I watched him on the stage,
My hands were clenched in fists of rage.
No angel born in hell,
Could break that Satan's spell.
And as the flames climbed high into the night,
To light the sacrificial rite,
I saw Satan laughing with delight,
The day the music died.

He was singing, "Bye, bye, Miss American Pie."
Drove my Chevy to the levee, but the levee was dry.
Them good ol' boys were drinking whiskey and rye.
Singing, "This'll be the day that I die.
This'll be the day that I die."

I met a girl who sang the blues,
And I asked her for some happy news.
But she just smiled and turned away.
I went down to the sacred store,
Where I'd heard the music years before,
But the man there said the music wouldn't play.
And in the streets the children screamed.
The lovers cried, and the poets dreamed.
But not a word was spoken.
The church bells all were broken.
And the three men I admire most,
The Father, Son, and the Holy Ghost,
They caught the last train for the Coast.
The day the music died.

And they were singing, "Bye, bye, Miss American Pie."
Drove my Chevy to the levee, but the levee was dry.
Them good ol' boys were drinking whiskey and rye.
Singing, "This'll be the day that I die.
This'll be the day that I die."

They were singing, "Bye, bye, Miss American Pie."
Drove my Chevy to the levee, but the levee was dry.
Them good ol' boys were drinking whiskey and rye.
Singing, "This'll be the day that I die.
This'll be the day that I die." 


Safety Pilot Landmark Accidents: The day the music died

The Buddy Holly crash—50 years later

By Bruce Landsberg

Bruce Landsberg is executive director of the AOPA Air Safety Foundation.

Some accidents are burned into memory even decades after they happened. The sinking of the Titanic, the explosion of the Hindenburg, the accident at Tenerife, and the Challenger crash all bring back remembrances of unforgettable tragedies. “The day the music died,” wrote singer/songwriter Don McLean for his hit song, American Pie, in 1971 commemorated the loss of singer Buddy Holly in an aircraft accident. Charles Hardin Holley, better known as Buddy Holly, was and remains one of the giants in the music business. His may be the most-discussed pop music star aircraft accident in history. The impact on the music world and millions of fans still affects the public perception of general aviation two generations of pilots later. His life and death inspired numerous books, movies, and songs.

To say Holly was a star is an understatement. He has been described as, the single most influential creative force in early rock and roll. His style has influenced countless musicians, including The Beatles, The Rolling Stones, and Bob Dylan. He exerted such a profound impact on popular music that Rolling Stone magazine ranked Holly number 13 on its list of the 100 greatest artists of all time.

He was only 22 at the time of his death, and yet his songwriting was so prolific that new albums and singles were released years after his passing. The story of his accident and others like it has been written many times—the outcomes don’t change.

In the early morning of February 3, 1959, Holly and two other rising stars, Ritchie Valens and J.P. Richardson (the Big Bopper), who were touring the country, had just finished a gig in Clear Lake, Iowa. They were scheduled to appear in Moorhead, Minnesota, that night but, because of bus trouble, the show headliners decided to go on to Moorhead by air. The group chartered a Beech Bonanza at the Mason City, Iowa, airport to fly to Fargo, the nearest airport to Moorhead.

The Civil Aeronautics Board (CAB), predecessor to the FAA and the NTSB, investigated the accident and the factual information is derived from the report.
Weather and preflight—Think It Over

Around 5:30 p.m. Central Standard Time the charter pilot went to the Air Traffic Communications Station (ATCS—the equivalent of today’s Flight Service Station and Air Route Traffic Control Center) at the airport administration building, to brief the flight. He was provided current weather for Mason City, Minneapolis; Redwood Falls; Alexandria, Minnesota; and the terminal forecast for Fargo, North Dakota. The briefer advised that all stations reported ceilings of 5,000 feet or better and visibility of 10 miles or above. However, the Fargo terminal forecast indicated the possibility of light snow showers after 2 a.m. and a cold frontal passage about 4 a.m. It all seemed reasonable for a VFR flight.

At 10 p.m. and again at 11:30 p.m. the pilot called ATCS to update weather. All stations had ceilings of 4,200 feet or better with visibility still 10 miles or greater. It was snowing in Minneapolis and the cold front that was previously forecast to pass Fargo at 4 a.m. was now expected to arrive at 2 a.m. At Mason City the ceiling was 6,000 overcast; visibility 15 miles plus; temperature 15 degrees F; dew point 8 degrees; wind south 25 to 32 knots; altimeter setting 29.96 inches.

At 11:55 p.m., the pilot, accompanied by the FBO/charter aircraft owner, a commercial/instrument-rated pilot, again went to ATCS for the latest weather update. With such important passengers on board one couldn’t be too careful. In the half-hour since the pilot had last checked, Mason City was now 5,000 overcast in light snow and the altimeter had dropped to 29.90. The weather was moving.
The flight—Peggy Sue

Holly, Richardson, and Valens arrived at the airport about 12:40 a.m., after the show, stowed their baggage, and boarded the aircraft. Although not noted in the CAB’s report, I speculate the weight and/or balance might have been outside the limits with any kind of fuel load. That would have made the V35 a handful in the turbulence the flight would later encounter.

The pilot stated he would file his VFR flight plan by radio when airborne. Taxiing to the end of Runway 17, the pilot called ATCS for a weather update. En route reports had not changed materially, but Mason City was coming down rapidly: The ceiling was now 3,000, sky obscured; visibility 6 miles, light snow; wind south 20 knots, gusts to 30 knots; altimeter setting 29.85 inches. The front had arrived.

The Bonanza was airborne at 12:55 a.m. and observed to make a left 180-degree turn and climb to approximately 800 feet. It passed east of the airport and turned northwesterly. Throughout most of the flight the aircraft’s tail light was visible to the FBO/charter aircraft owner. About five miles from the airport the light gradually descended and disappeared. When the pilot failed to open his flight plan by radio soon after takeoff, the communicator (controller), at the owner’s request, repeatedly tried to reach him but was unsuccessful. It was approximately 1 a.m.
The accident—It Doesn’t Matter Anymore



After reporting that the aircraft was missing at 3:30 a.m., the FBO/charter aircraft owner flew the aircraft’s planned route later that morning. He sighted the aircraft in an open field at 9:35 a.m. All four occupants had been killed, and the aircraft was demolished. The wreckage was covered with about four inches of snow. It’s a given, even today, that accident investigations are usually done in decent weather, half a day later. Note to self—be a little patient with weather, it will get better. Had the group left at 10 that morning, they still would have arrived in plenty of time for the show.

The Bonanza struck the ground in a steep right bank, nose-low attitude at high speed. There was no fire and no evidence of structural or flight control failure. The landing gear was retracted and the engine was producing cruise power at the time of impact. The attitude indicator showed a 90-degree right bank, nose-down attitude. The vertical speed indicator was pegged at a 3,000-feet-per-minute descent.
Pilot—Maybe, Baby

The pilot, 21 years old, was employed by the FBO as a commercial pilot and flight instructor, and had been with them about a year. He had started flying in October 1954, with 711 hours total time and 128 in Bonanza. He had approximately 52 hours of dual instrument training and had passed the instrument written examination, but he had failed an instrument flight check in March 1958, nine months prior to the accident. His instrument training had been in several aircraft, all equipped with a conventional artificial horizon, but he had no experience with the Sperry attitude gyro that was installed in Bonanza N3794N. These two instruments differ greatly in their pictorial display, and the CAB believed that he would have had difficulty interpreting a completely different display.
The aircraft—Rave On

The Beech Bonanza, model 35, was manufactured in October 1947 and the engine had only 40 hours since major overhaul. The aircraft was purchased by the FBO in July 1958, and was well equipped for its time with high- and low-frequency radios, a Narco “omnigator” (VOR), a Lear autopilot (recently installed but not operable), and a full panel of instruments used for instrument flying, including a Sperry F3 attitude gyro.

According to the CAB’s report, “The conventional artificial horizon provides a direct reading indication of the bank and pitch attitude of the aircraft which is accurately indicated by a miniature aircraft pictorially displayed against a horizon bar and as if observed from the rear. The Sperry F3 gyro also provides a direct reading indication of the bank and pitch attitude of the aircraft, but its pictorial presentation is achieved by using a stabilized sphere whose free-floating movements behind a miniature aircraft presents pitch information with a sensing exactly opposite from that depicted by the conventional artificial horizon.”
The weather, again—Take Your Time

The weather was quite a bit nastier than the briefed surface reports indicated. The surface weather chart for midnight February 3, 1959, showed a cold front extending from northwestern Minnesota through central Nebraska with a secondary cold front through North Dakota. Widespread snow shower activity was indicated in advance of these fronts. Temperatures aloft from Mason City to Fargo were below freezing at all levels with an inversion between 3,000 and 4,000 feet and abundant moisture present at all levels through 12,000 feet. Moderate to heavy icing and precipitation existed in the clouds along the route. Winds aloft below 10,000 feet were reported to be southwest at 30 to 50 knots.

A flash advisory (roughly equivalent to a sigmet) issued by the Weather Bureau at Minneapolis at 11:35 p.m. on February 2, noted, “Flash Advisory No. 5: A band of snow about 100 miles wide at 2335 from extreme northwestern Minnesota, northern North Dakota through Bismarck and south-southwestward through Black Hills of South Dakota with visibility generally below two miles in snow. This area or band moving southeastward about 25 knots. Cold front at 2335 from vicinity Winnipeg through Minot, Williston, moving southeastward 25 to 30 knots with surface winds following front north-northwest with 25 to gusts of 45. Valid until 0335.”

Another flash advisory issued out of Kansas City, Missouri, at 12:15 a.m. on February 3 noted: “Over eastern half of Kansas, ceilings are locally below one thousand feet, visibilities locally two miles or less in freezing drizzle, light snow, and fog. Moderate to locally heavy icing, areas of freezing drizzle and locally moderate icing in clouds below 10,000 feet over eastern portion Nebraska, Kansas, northwest Missouri and most of Iowa. Valid until 0515.”

Neither ATCS briefer mentioned these flash advisories to the pilot indicating the virtual certainty that instrument weather would be encountered.
Analysis—Raining in My Heart

The CAB report noted that the flash advisories were not conveyed to the pilot. The weather briefing consisted solely of reading current weather at en route terminal and terminal forecasts for the destination. Failure to “draw these advisories to the attention of the pilot and to emphasize their importance could readily lead the pilot to underestimate the severity of the weather situation.”

The FBO owner said, he “had confidence in the pilot and relied entirely on his operational judgment with respect to the planning and conduct of the flight.” That confidence was sadly misplaced. It happens too often that enthusiasm and a strong desire to complete a flight overcome what little experience/judgment a new pilot has. Sincerity, enthusiasm, and desire to please should never take a back seat to suspicious, skeptical contingency planning.

The CAB noted that with the obviously deteriorating weather at Mason City which could be seen by all, and the fact that the charter company was “certificated to fly in visual flight rules only…together with the pilot’s unproved ability to fly by instruments, made the decision to go…most imprudent.” That the pilot checked the weather so many times and that the owner went with him and then watched the flight depart shows that both of them probably had some serious misgivings. Note to self: Listen to that inner voice—it’s usually right!

The CAB’s assessment was that shortly after takeoff the flight entered complete darkness with no horizon, falling snow, and moderate turbulence from the high winds. This required flight by reference to instruments.

The pilot’s unfamiliarity with the Sperry F3 gyro, noted above, because of its unique presentation, likely caused spatial disorientation.
Probable cause—Not Fade Away

“The board determines that the probable cause of this accident was the pilot’s unwise decision to embark on a flight which would necessitate flying solely by instruments when he was not properly certificated or qualified to do so. Contributing factors were serious deficiencies in the weather briefing, and the pilot’s unfamiliarity with the instrument which determines the attitude of the aircraft.”

This report could have been written last month, but it was a half-century ago. If the weather is bad where you are, despite a decent forecast, the weather is bad. Period. The board’s commentary: “This accident, like so many before it, was caused by the pilot’s decision to undertake a flight in which the likelihood of encountering instrument conditions existed, in the mistaken belief that he could cope with en route instrument weather conditions, without having the necessary familiarization with the instruments in the aircraft and without being properly certificated to fly solely by instruments.”

We may be the only beings who can learn from past mistakes and so often fail to do so. The lesson should not fade away.

If you want to read the Full NTSB report of the Crash...Click Here

No comments: